Wired Magazine, “The key to Genius,” autistic savants.

Matt Savage launched his jazz career by attempting to improve a Schubert sonata. His piano teacher told him that the G-sharp he just played was supposed to be a G-natural. “It sounds better my way,” he protested. She replied that only when he wrote his own music could he take liberties with a score. Keen on taking liberties, he became a jazz composer. He released his fifth album this year, making guest appearances on the Today show, 20/20, and NPR. Recently, his trio booked two shows at the Blue Note in New York City.

Michael Elins
Michael Elins
Matt Savage is a jazz phenomenon. He�s also a perseverative hyperlexic with pervasive developmental disorder.
In May, he will celebrate his 12th birthday.

Matt is a musical savant. The term savant dates from the late 19th century, when a small number of people in European asylums classified as feebleminded “idiots” were discovered to have extraordinary, even uncanny skills. One had memorized The Decline and Fall of the Roman Empire after reading it a single time. Others were able to multiply long columns of numbers instantly and factor cube roots in seconds, though they could barely speak.

When Matt was 3, he was diagnosed with a form of autism called pervasive developmental disorder. Autism and savant syndrome overlap, but they are not the same thing. Nine out of ten autistic people have no savant abilities, and many savants suffer from some form of neurological impairment other than autism. Savant syndrome itself is rare. The rarest of the rare is the prodigious savant, like Rain Man’s Raymond Babbitt, who could memorize phone books, count 246 toothpicks at a glance, and trump the house in Vegas. Darold Treffert, the leading researcher in the study of savant syndrome, estimates that Matt is one of fewer than 50 prodigious savants alive today.

But Matt is even rarer than that. While the IQs of most savants are below 70, he is highly intelligent. And while the musical prowess of savants is often confined to playing thousands of songs from memory in a stiff and mechanical way, Matt is a prolific composer and skilled improviser. With the precocious abilities of a savant and the melodic imagination of a seasoned musician, he has dual citizenship in two countries of the mind.

Until recently, much of what we knew about savants came from the observations of clinicians like Treffert and neurologist Oliver Sacks, author of An Anthropologist on Mars and The Man Who Mistook His Wife for a Hat. Now researchers are probing the savant mind from the inside, using tools like gene mapping and PET scans. As these two paths of investigation converge, many of our long-held notions about the limits of human potential are being overturned.

By studying the minds of people like Matt, neuroscientists are discovering that savants are more like the rest of us than the medical world once believed. We’re learning that the extraordinary skills of savants tap into areas of the mind that function like supercomputers, compiling massive amounts of data from the senses to create a working model of the world. The traditional conception of the brain – two hemispheres that are hardwired from birth – is yielding to an understanding of the ways the regions of the cortex learn to function together as a network.

“We used to have this idea that we were born with a magnificent piece of hardware in our heads and a blank disk called memory,” says Treffert. “Now we have to acknowledge that the disk comes with software, that we were wrong in many of our assumptions about intelligence, and that the brain is much more capable of healing itself than we thought. By finding out how savants work, we learn how we work.”

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